摘要
雅美人的歌曲不仅是雅美人社会传统和遗产传承教育的必要工具,也是雅美人民族认同的主要标志。社会禁忌构建了雅美人的行为标准和价值观,在他们的传统歌曲中也有很大的影响,所以雅美人社会禁忌的变化可以作为观察和研究音乐变化的参考基准,这也是未来研究雅美人音乐学理论和方法的起点和发展方向。本文主要讨论音乐和传统禁忌在雅美人社会生活中的功能,以及雅美人的传统歌曲与社会禁忌及民族认同之间的关系。
The traditional music of Tao works not only as tools for education of their traditions and heritage,but also as their identity signal. Since taboo frames the traditional social norms and values of the Tao and its projection has been found in their traditional songs,the change of the social norms of the Tao is a basic reference for observing and studying the musical change in life of Tao. The paper discusses the function of the traditional music and taboos in the society of Tao,and the relationship between traditional music,taboo and Identity.
出处
《贵州民族研究》
CSSCI
北大核心
2015年第11期104-107,共4页
Guizhou Ethnic Studies
