摘要
甘南"南木特",藏语意为讲述传记故事,是18世纪流传于甘肃省南部藏族地区的一种讲述传记故事的戏剧表演形式,故称为藏戏。民国时期,"南木特"受到京剧表演艺术的影响,在艺术的审美接受中,"南木特"倡导者创造了独具藏民族特色的戏剧表演程式,体现了汉藏文化的交流和"南木特"艺术的生命力。
＂ Nanmuter＂, meaning ＂telling biographical stories＂ in Tibetan, is a type of opera that was popu- lar in Tibetan nationality areas of southern Gansu Province in the 1700s, so it is also called Tibetan opera. During the period of Republic of China, ＂Nanmuter＂ was influenced by Peking Opera and developed a new type of opera performance with Tibetan characteristics. Its aesthetic acceptance of Peking Opera reflects the communication between Tibetan culture and Han culture, and also proves the vitality of ＂Nanmuter＂
出处
《民族艺术研究》
CSSCI
2015年第6期86-92,共7页
Ethnic Art Studies
关键词
藏戏
南木特
京剧
表演风格
审美接受
Tibetan opera
Nanmuter
Peking Opera
performance style
aesthetic acceptance
