摘要
《伤逝》作为鲁迅唯一一部爱情题材的小说,历来受到人们普遍关注,这不仅与小说独特的思想内蕴有关,更与文本形式本身所产生的多层意蕴分不开。本文基于小说文本叙事,从文本形式、叙事语言两个方面探析其叙事的"悖论"特征,进一步揭示小说超越爱情意义之上形而上的时代人生哲学。
Shangshi As Luxun only relates to a romance novel,has received widespread attention,it is not only unique ideological implication and novel,and the text itself more layers produced by implication. Based on the novel text narrative,mainly from two aspects of the text form,narrative language analysis of its narrative "paradox" characteristics,further reveals the novel beyond the meaning of love on the era of the metaphysical philosophy of life.
出处
《安康学院学报》
2015年第6期28-30,共3页
Journal of Ankang University