摘要
在现代设计的理论与实践中,设计形态的内涵丰富而严谨,它是设计及其工作的重要物质表象与价值载体。在设计形态诸要素构成的系统内,设计"形"具有外显与表象的特征,是设计给予用户与环境的客观物象表征;而设计"态"则具有隐性和本质化的属性,是设计依托"形"的内在"神"与"质"。设计"形"与设计"态"之间的关系是复杂的与辩证的,存在着指向性、叠态性、决定性与能动性等逻辑关系。全面、深入地理解与掌握设计"形"与"态"的关系,对于架构相对科学、完整的设计形态认知及其实践方法论的完善、拓展,均具有极为重要的理论与实践价值。
According to the theory and practice of modern design, the connotation of design form is rich and rigorous, which is the important material appearance and value carrier of design. In the system of design form, design shape, characterized by outside and appearance, is the objective image provided to the user and the environment by design. While design status, with the properties of recessive character and essentialization, is the "spirit" and "quality" of design. The relationship between design shape and design status is complex and dialectical with logical relationship of directivity, stacked state, definitiveness, initiative and so on. A full-scale and profound understanding and great mastery of the relationship between design shape and design status has important theoretical and practical value in optimizing a relatively scientific and complete cognition of design form and its practical methodology.
出处
《衡水学院学报》
2015年第6期116-119,共4页
Journal of Hengshui University
基金
2015年度安徽高校人文社科重大研究项目(SK2015ZD23)
安徽省级教学质量工程项目(2013zy171)
安徽省高等教育振兴计划重大教研项目(2014zdjy121)