摘要
单纯从西方艺术发展史的角度看,观念艺术无疑游离于古典主义和现代主义艺术的宏大叙事之外。而当我们站在文化的层面审视就会发现:这一由柏拉图引发的艺术创作倾向,潜滋暗长于古典主义、新古典主义、浪漫主义、抽象主义艺术之中,隐然成形于黑格尔精心搭构的理论框架之中,沛然兴起于杜尚的艺术探索与实践之中,并最终演绎为20世纪60年代之后的西方观念主义艺术大潮。
Only from the development ofwestem art history, it is no doubt that art is free from the classical and modem art. When we ,;tand in the cultural level to look, one will find that the triggered by Plato's artistic creation tendency, however in classical, neoclassical, romantic, abstract art, but in the form of a theoretical frame of Hagel carefully, artistic exploration and practice in full swing by Duchamp, and finally in twentieth Century 60 years after deduction for the western concept of art tide.
出处
《临沂大学学报》
2015年第6期85-89,共5页
Journal of Linyi University
关键词
理念
精神
观念
绘画
艺术
concept
spirit
concept
painting
art