摘要
由于"乐经"的失传,《乐纬》似乎缺少了与之对应的"经书"对"乐"的阐释与附庸。但存在于两汉音乐思想与音乐文化的大环境中,《乐纬》广泛吸收先秦以来尤其是《乐记》的音乐理论,并加入了以"天人感应"为核心的纬学内容,其在解释音乐的来源、乐器与政教之间的关系、审乐以观政的方式等方面都对儒家乐论有一定程度的突破,从而形成了一套较为完整而独特的音乐理论。
Chinese musical theory can be traced back to the pre-Qin which gets developed blending with the musical culture by Han dynasties, and eventually integrating humanity with heavens. It is argued that the traditional Chinese musical theory includes origin of music, relations between musical instrument, poli- tics and religions, leading to a breakthrough of the Confucian musical theory.
出处
《河北师范大学学报（哲学社会科学版）》
2015年第6期126-131,共6页
Journal of Hebei Normal University(Philosophy and Social Sciences)
