纷呈银幕的快感体验重构——电影叙事画格的空间转向新论

The New Statement of the Film Narrative Screen Space

由于电影所依赖的科技发展、大众观影审美需求不断提高的原因,如今电影画格空间的形式表现已不同于以往,在单一画格空间里传达的审美表征发生了变化,单位空间内的信息量增加,使电影生产能够在一个画面植入更多信息,由前人建立和巩固的一系列线性叙事已然被空间转向学说打碎、拼接并重组。电影画格具有三个基础属性:并置性、不稳定性和非故事性切入,主流商业影片的画格空间发生巨变,从静态物象变得更为趋动,使其叙事形式上的空间转向新貌。

Because the film depends on the development of science and technology snd the cause of the aesthetic demand of the public viewing are growing, now the film frame space form is different from the past, in which aesthetic representation in a single frame space has changed. The unit area increased amount of infor- mation, the film production to more information in a frame and a series of linear narratives are set up by our predecessors and consolidate smashed by spatial turn theory. basic attributes： the collocation, instability and the story, Splicing and restructuring, film frame has three the mainstream of commerciad film frame space changes. The static object makes the space of the narrative form look different.