论张贵兴《群象》与《猴杯》的感官书写

Sensory Writing of Zhang Guixing in Elephant Tropes and The Monkey Cup

张贵兴雨林书写的丰富驳杂,很大程度得益于感觉化叙事以及对婆罗洲雨林的感官化处理。本文尝试梳理张氏感官书写的美学策略及其意蕴,包括将雨林作为感官性的空间再现、感官异化与匮乏经济学的内在联系、雨林的欲望叙事以及感官刺激与暴力叙事。

The richness of the world of rainforest in Zhang Guixing＇s fiction is enhanced by his sensory writing strategy. This paper attempts to discuss the aesthetics and significance of Zhang＇s sensory writing, including the representation of rainforest as a sensory spatial, the internal relationship between the alienation of sense and the economics of shortage, the narration of desire for the rainforest, as well as the sensory stimulation and the narrative of violence.