摘要
文章概述白俄罗斯大型博物馆,图书馆和私人基金会收藏的符号记谱法音乐古文献手稿,侧重于17到20世纪牧师和非牧师老信徒所传唱的不同传统经文歌书籍。着重探讨白俄罗斯学者在手稿研究方面急需解决的问题,通过他们的系统分析研究,揭示和考证由白俄罗斯起源的经文歌手稿。
The thesis gives a general description of classical music manuscripts about symbolic notation in the collections of Belarusian grand museums, libraries and private financial funds. It especially puts an emphasis on the different traditional motet books sang by both priest and non-priest believers during the 17-20th centuries. The thesis mainly discusses the urgent problems which Belarusian scholars are facing with on manuscript research. What's more, it also demonstrates and verifies motet manuscripts derived from Belarus by systematic analysis and research.
出处
《新疆艺术学院学报》
2015年第4期22-26,共5页
Journal of Xinjiang Arts University