摘要
西方传统的真理观,是建筑在主客相分的世界观的基础上的,它把真理视作主体认识对客体规律的符合,西方传统的艺术真实观也与此相似。随着人与世界相融的世界观的出现,西方的真理观出现了向存在去蔽的转向,艺术更被理解为"真理的形成与发生",理解为"真理自行置入作品";随之语言观也发生转向,语言被理解成了"世界的窗口",被理解为"存在之家"。
The traditional view of truth in the Western is built on the basic of the view of the world of that the subject separates with object. And in the viewpoint, the truth is that the subject knowledge must tallies with the object law. The traditional view of true in the Western is similar with it. Along with the appearance of the view of that man mixes with the universal, the view of the truth in the Western begins to turn into removing the cover on being. The art is understood as ＂the form and happen of truth＂ and that self＂. Along with the turn of the view of as＂ the home of being＂. language, language is ＂the window of the ＂truth goes into works by world＂ and is understood
出处
《重庆师范大学学报（哲学社会科学版）》
2015年第6期5-9,共5页
Journal of Chongqing Normal University Edition of Social Siences
关键词
艺术
真理
存在
语言
art
truth
being
language
