摘要
迟子建写出了静中之动和动中之静,以及动静失衡后的无奈和无助。"静"的意义可在安详、和平和美丽上来理解,正像承载龙盏镇人希望和重托的龙山山顶的土地祠一样。"动"则是一切俗世尘嚣、纷乱、挣扎和罪恶的象征。迟子建不仅留意从内到外的这些变化,她还试图把握这变化之间的因缘和转合。安雪儿的孤独无援和深陷困境正是寓言,昭示了美丽的消失和理想的没落,既冷寂又绝望。物质和精神的对立统一框架给了迟子建无限的灵感源泉,而悲壮和忧伤相交织的情感结构则使她在现代审美的接受习惯中游刃有余。迟子建从不孤立地直写当代生活中的喜与怒、罪与罚,她总能在思考之中写出为大众所接受的变化来。
CHI Zi -jian displays her understanding of quiet and live which are mixed with each other, CHI Zi -jian is good at writing the change and tries to make a logical relationship. As a character, AN Xue' er can be read as fable of dilemma. The framework between physical and spiritual civilization give CHI Zi - jian unlimited strength of writing. CHI Zi - jian never directly relates crime and punishment of the contempora- ry life. She usuaUy shows her change idea agreeing by common people.
出处
《哈尔滨师范大学社会科学学报》
2015年第4期119-122,共4页
Journal of Social Science of Harbin Normal University
基金
陕西省社会科学艺术学项目"和谐社会下的陕西艺术价值体系及其战略建构研究"(201028)
长安大学人文社会科学项目"作为大众文化的电视解说的意识形态效果研究"(0929)
关键词
迟子建
《群山之巅》
变化
CHI Zi - jian
the peakof mountains
change