革命化写作的失守与民间写作的坚守——革命现代京剧《沙家浜》的嬗变

The Fall of Revolutionary Writing and the Persistence of Folk Writing——On the Evolution of Modern Revolutionary Beijing opera Sha Jia Creek

京剧《芦荡火种》在更名《沙家浜》之后,历经三级跳远,最终成为革命现代京剧"样板戏"的首批次剧目。在这个蜕变的过程中,似乎是革命化的进一步加强,实则是传统京剧艺术的回归,民间写作力量依旧占据了《沙家浜》京剧艺术的主体部位。虽然还是党的领导,还是武装斗争的主题,却是借助民间写作的力量得以实现。形成了革命化写作的失守和民间写作的坚守态势。

Lu Dang Fire, also entitled as Sha Jia Creek, finally became the first approved modern revolutionary Beijing opera after several transformations. This process seems to be the strengthening of revolutionary character of Beijing opera, but it is actually the return of its traditional art. Folk writing remains the soul of Sha Jia Creek, though its content is armed struggle led by the communist party, which, however, is realized through folk writing. Therefore, it essentially stands for the fall of revolutionary writing and the persistence of folk writing.