“看/被看”模式下的作家性别化创作论

The Literary Creation of Writers of Different Genders under the Mode of “Spectators and Spectatees”

自鲁迅始,"看/被看"模式创作呈现出类型化的趋势。从作家作为看客与"被看"的性别关系出发,可以分为不同类型。男性作家与女性作家在描写"看/被看"时,创作心理不同,男作家通常将自身的价值观和文学理念加载在人物身上,而女作家们在书写同性社会地位的同时,更多体现出性别认同意识。作家们在面对不同性别的"被看"时,往往书写的是想象中的异性。在消费社会中,作家的性别分类呈现出对美的消费性,注重感官和消费性的写作。

Since Lu Xun,the literary creation under the mode of ＂spectators and spectatees＂has witnessed the trend of categorization,for the literary creation can be categorized into various types in accordance with the gender relationship of the writer either as a ＂spectator＂or a ＂spectatee＂. In the description of the role of a ＂spectator＂or a ＂spectatee＂,writers of different genders are of diverse mentality,for male writers would usually impose their own values and literary ideas onto figures in their works,whereas female writers are apt to exhibit their gender-identification awareness when touching on the social status of female characters in their works. When faced with the ＂spectatees＂of different genders,writers tend to portray their imaginary characters of the opposite gender. In the consumption society,the gender classification of writers is characterized by the beauty of consumption and the attention to the description of sensory knowledge and consumption.