摘要
论文从四个方面阐释中西方绘画对汪曾祺文学作品的影响并分析汪曾祺之所以受绘画影响的原因。从"以画入文,文画同源"的角度分析了汪曾祺作品中的题材与体裁所受绘画的影响;风俗画中的静态美、散点透视画法和"以景衬人"的内蕴对汪曾祺作品影响;写意画中的"留白示水"绘画技法在汪曾祺作品中的体现;印象派绘画"点彩法"对汪曾祺创作的影响。从家传渊源、历史环境、个人气质以及沈从文印象主义风格的影响等多方面分析汪曾祺创作受绘画影响的原因。通过不同角度的分析,阐释汪曾祺作品中的绘画美,挖掘汪曾祺作品中独特艺术魅力的成因。
This paper analyzes the influence of Chinese and Western paintings on Wang Zeqi' s literary works in four perspectives and the causes for the influence, i.e. the impact of paintings on the theme and subject matters in Wang Zeqi's works from the perspective of "writing with painting techniques and the homology between writing and painting" ; the impact of the static beauty and the scattered perspective technique in genre paintings as well as the connotation of "setting off humans by the landscape" on Wang~ works ; the embodiment in Wang's works of the skill of "blankness indicating water" in freehand brush paintings; and the impact of "the stippling method" in im- pressionistic paintings on Wang's works. Moreover, an analysis is also made of the causes for the impact of paint- ings on Wang's literary creation in numerous aspects such as the family origin, historical environment, personal temperament and the influence of Shen Congwen's impressionist style, etc. In short, an attempt is made to elucidate the artistic beauty in Wang Zeqi's works from various perspectives so as to figure out the causes for the unique artis- tic quality in his works.
出处
《海南师范大学学报(社会科学版)》
2015年第11期56-62,共7页
Journal of Hainan Normal University(Social Sciences)
关键词
汪曾祺
文画同源
散点透视
留白示水
点彩法
Wang Zeqi
the homology between writing and paintings
the scattered perspective
blankness as indication for water
the stippling method