摘要
儒家文化作为中国封建社会的主流意识形态,不仅影响着文人士子的心态,也作用于艺术作品的思想内容和形式。元杂剧作家大都饱读诗书,受传统儒家文化教育。关汉卿作为由金入元的儒家知识分子也不例外,儒家文化在关汉卿的杂剧中有诸多表现:有对忠义孝悌的弘扬、对天人关系的认同和济世安邦的夙愿等等。这些表现无一不是对当时蒙元黑暗社会和众生相的真实描摹,是作者对丑恶现实的奋力控诉与内心理想的真实呐喊。
The Confucian culture as the mainstream ideology of Chinese feudal society, not only affects the mentali- ty of scholars, but also works at the content and form of artistic works. The Yuan Dynasty writers are most well read and influenced by the traditional Confucian culture education. Guan Hanqing, as a Confucian intellectual between the Jin Dynasty and the Yuan Dynasty, is of no exception. The Confucian culture in Guan Hanqing' s drama showed various kinds: carrying forward the loyalty and filial piety, the wishes about saving their business and ac- ceptance of the relationship between human and nature, and so on ciety and the appearances of all living creatures, which showed the the ideal in the mind. All these truly described the darkness of the so- author's real idea against the ugly reality and
出处
《湖北文理学院学报》
2015年第12期36-39,62,共5页
Journal of Hubei University of Arts and Science
关键词
关汉卿
元杂剧
儒家文化
Guan I-lanqing
Drama in the Yuan Dynasty
Confucian culture