摘要
徽州竹雕盛极于徽商时代,不同于徽州其他的"三雕",徽州竹雕更具文人气质,留存多为文房用品和文人把玩之物,因此雕刻手法较其他雕刻更加丰富。通过对徽州传统形制的总结,和对雕刻方法的分析,能够更加了解徽州竹雕作品蕴含的价值取向,以及再现徽州竹雕作品丰富的美学内涵。
In Huizhou,Huizhou bamboo boom era, unlike other Huizhou "three birds", and other comparisons, Huizhou bamboo literati temperament, preserved bamboo works, mostly paper stationery and literati play things, so carving richer than other engraving techniques. By summing up the traditional shape of Huizhou, and the analysis of carving methods, to learn more about Huizhou bamboo works contain values,and a reproduction bamboo work Huizhou rich aesthetic connotation.
出处
《湖南城市学院学报(自然科学版)》
CAS
2015年第4期152-153,共2页
Journal of Hunan City University:Natural Science
基金
安徽省级教研项目<基于徽州民间艺术的国画教学模式的实践与改革>(2012jyxm506)
关键词
徽州竹雕
雕刻手法
形制
Huizhou bamboo
carving methods
shapes