摘要
罗赞诺夫的普希金批评在其文学批评遗产中占有相当的分量。作为一个与陀思妥耶夫斯基相对的形象,和谐、永恒和包罗万象成为普希金基本的底色,他对于俄罗斯民族有着无可比拟的教育作用。他是文学的尺度,也是俄罗斯的尺度。然而,罗赞诺夫的普希金也是丰富而复杂的,既是人民的也是贵族的;既是开端也是结束;既是快乐的也是痛苦的;既是俄罗斯帝国的荣耀,也是俄罗斯帝国终结的罪人。在对普希金的赞成与反对中,在与俄国经典作家的对比中,形成了罗赞诺夫关于普希金的多面性。
Comments on Pushkin occupy a considerable proportion of Rozanov's literary criticism heritage. As a relative image of Dostoyevsky,Pushkin's basic features turn to be harmonious,eternal and all- embracing,and he has an unparalleled educational role for the Russian nation. He is the standard of literature and Russia. Moreover,in Rozanov's reviews,the image of Pushkin is complex and polynary,who represents both the public and the noble,both the beginning and the ending,both happy and sorrow,both the glory of the Russian Empire's prosperity,and the sinner of its finality. In Rozanov's essays,the pros and cons of Pushkin,accompany the comparisons with the Russian classical writers,which finally form Pushkin's versatility.
出处
《中州大学学报》
2015年第6期32-40,共9页
Journal of Zhongzhou University