摘要
"新写实"小说中"原生态""毛茸茸"的日常生活,与其说是作为文本的实体内容而存在,不如说是作为一种叙事模式而彰显。从发生学上看,作为"日常生活叙事"的"新写实"小说是在反抗利奥塔意义上"堂皇叙事"之后的自然生成,标识着作家因屡遭规训和欺骗而导致的审美乌托邦欲望的磨损和丧失,有了放弃塑造历史、充任历史主体的意志与行动的自觉,并直接规约着小说的题材摄取、主旨提炼、表现技巧、叙事方式和情感意向等各个方面,进而削弱了潜文本——寓言特质,影响到读者对其深度模式的识别和评判。
＂New realism＂ novels mark the disappearance of the writers＇ aesthetic desire of Utopia as a result of repeated discipline and deception, and directly control such aspects as the various themes, techniques, narrative means and emotional intention, thus weakening the subtext and affecting readers＇ identification and evaluation of their depth model.
出处
《中州大学学报》
2015年第6期46-50,共5页
Journal of Zhongzhou University
关键词
新写实
日常生活叙事
历史观
犬儒主义
new realism
daily life narration
historical conception
cynicism
