放下怨气,不再对抗--从余秀华诗歌说开去

Lay Down Resentment and no Longer Withstand--Begin from Yu Xiuhua's Poetry

在余秀华出现之前,新时期以来的新诗普遍隐匿着一股对当下诗坛的怨气和一个或显或隐的"对抗"意识。不满和对抗让新诗把重点放在服务外围世界,从而偏离诗歌本质,使新诗整体上与纯诗的目标相去甚远。余秀华的诗歌发生在超功利的状态下。她的诗歌传达内心的悸动和眩晕。她生活在现世中国的最底层,赋予了她诗歌创作超功利的客观条件。其诗歌中与农村日常意象的邂逅完全是超功利的,不同于知识分子的寻找客观对应物。这些日常点滴引起了诗人对生命的诗意体悟,她就用诗记录下来,在不动声色的记录中审视自己的生命状态。从超功利日常生活写作和用诗来传达内心的悸动、眩晕两方面来看,余秀华的诗歌倒是无限地靠近了纯诗的写作。余秀华的走红,是中国新诗建设在百年之际成熟的结果。

Before Yu Xiuhua's appearance,the poetry in the new era commonly have some kinds of resentment and a vague withstanding awareness. Discontent and resentment can put the new poetry in the highly dangerous situation of focusing on serving the outer world,and deviating from poetry's essence. They make the new poetry have a long distance from the pure poetry's goal. Yu Xiuhua's poetries appear transcending the utilitarian. She lives on the bottom level of China,which gives the objective conditions of her poetry's transcending the utilitarian.The rural common images in her poetry are completely surpassing the utilitarian,and not the same as the intellectuals' seeming for objective corresponding.These daily details cause her inner ups and downs,and therefore the realization with poetic flavor. Thus she writes down them with poetry,examining closely her life state. From such aspects as rural life's narration surpassing the utilitarian and expressing inner throb and vertigo with poetry,Yu Xiuhua's poetries infinitively approach the pure poetry's writing. Yu Xiuhua's being in favor is a result of China's new poetry construction for a century.