试论杨朝英的散曲学观──兼说曲学史上格律派与文学派的第一次论争

Tentatively on Yang Chao-ying's Views on San Qu--Concurrently on the 1st debate between schools of rhythm and literature

杨朝英是元人选元曲之第一人。本文首将杨氏作为元人研元曲之曲学家予以观照 ,采用知人论世的实证方法 ,在考辨其里籍及其二选编刊时地的基础上 ,详剖其新型乐府观及渊源 ,并以周德清格律派与杨氏的争论为背景 ,深入挖掘和阐发其“也唱得”之曲文本位论思想 ,以为杨、周之争是曲学史上格律派与文学派的首次交锋 ,属音乐文学本身固有的内在矛盾的反映 ,从而对杨氏的曲学理念予以准确的把握与定位。

Yang Chaoying is the first person who selected and edited Yuan Qu in the Yuan Dynarty. Comentaries selector, and at most a second-chop writer of Yuan Qu, So seldom people studied him, even his homeland and major activities were rarely known. In the article the writer takes him as a critic of Yuan Qu who studied Yuan Qu in the Yuan Dynasty, and has thoroughly collected references, based on which, he has carefully studied Yang Chaoying's ideas on Yuan Qu, and their relations with that of Yannan Zhian; he went on to research Yang Chaoying's ideas against background of his argument with Zhou Deqing, and has properly evaluated his theory on Yuan Qu and has given it a proper position.