摘要
诗论中的境界说在唐代形成 ,词境理论的正式确立与形成 ,是在晚清常州派陈廷焯 ,况周颐的词学理论中。词的境界的确呈现了与诗的境界不同的审美趋向 ,而王国维从审美本质入思 ,对境界重新构建阐释 ,他的境界说将词学批评推上了艺术美学的新层面 ,使之成为具有现代美学意义的理论体系。
It was in Tang Dynasty that Jingjie shaped in Theory of poetry . The theory of Ci Jing come into being in late Qing dynasty that credited to Chen Tingzhuo and Kuang Zhouyi. It was Wang Guowei who made Jingjie become an aesthetic theory and it formed a modern aesthetic system .
出处
《惠州学院学报》
2002年第4期24-29,共6页
Journal of Huizhou University