由舞蹈身体解读物性及剧场性——以《工作》和《稻禾》的对照为例

Re-examining Objecthood and Theatricality through Dancing Body:A Comparison between Work/Travail/Arbeid and Rice

林怀民和安娜·德瑞莎·姬尔美可(Anne Teresa De Keersmaeker)是当代两位编舞大师。他们在艺术形式和美学上的差异都紧密地交汇于一个核心:舞蹈身体,具体而言即肢体运动对空间、时间的构形和赋义。文章以两人的代表作《工作》(Work/Travail/Arbeid)与《稻禾》为例,将比较和分析的重点聚焦在姬尔美可和林怀民各自的编舞理念、方法所共同关涉的'身体—时空'问题。在作品对照的基础上,沿着舞蹈身体提示的思路,对晚期现代主义以来围绕物性、剧场性、主体等问题的论争加以批判整理与反思。

Lin Huai-min and Anne Teresa De Keersmaeker are two well-known contemporary choreographers.Their differences in art form and aesthetics closely relate to one core:the dancing body,specifically the configuration and meaning of the body movement to space and time.Taking their representative works of Work/Travail/Arbeid and Rice as examples,this paper focuses its comparison and analysis on the shared issue of'body-time and space',which both of them have in their choreography concepts and methods.Based on the comparison of works and inspiration of dancing body,this paper aims to shed light on theoretical discussions about objecthood,theatricality and subject since late modernism.