汗都春乐舞形态解析

“Interweaving,Blending and Distillation”:Deconstructing the Music and Dance Form of Handuchun

汗都春(Handucun)是新疆锡伯族的民间艺术形式,由'歌、舞、戏'三者构成。汗都春的乐舞形态研究,要从其内部要素之间的关联及其呈现的审美复合效应入手。通过分析与阐释汗都春的语言符号与非语言符号系统,确立汗都春是一种多元发生、多元并存、多维发展的复合型艺术,从多元文化融合视角中对其不同文化元素进行互识与互证。

Handuchun is a folk art form of xibo ethnic group in Xinjiang.It is composed of songs,dances and plays,and embodies the distinctive aesthetic.This paper is based on the structuralism and symbolic cognition,exploring music and dance form of Handuchun,exploring the correlation between the internal elements and the aesthetic composite effect.Through analysis and interpretation of the language symbols and non-linguistic symbols system,the paper argues that Handuchun is a kind of pluralistic,coexist,and compound art of multidimensional development.The paper aims to prove the dance art form in the perspective of multicultural integration of its different culture.