摘要
受'后现代主义'的影响,近几年舞蹈艺术不断走进美术馆,开始转向尝试建构情境式的、异质空间式的创作表演形态。在这场视觉艺术与动作思维的平衡与较量中,现代舞者凭借特有的身体走进美术馆。文章分别从人文观念、图-底关系和日常与非日常的反转三个方面对当下舞蹈的'入世'行为予以理论阐述和实践分析。
Influenced by'post-modernism',dance has been continuously entering into art museum in recent years.It has attempted to construct situational and hetero-spatial creative performance forms.In this balance and contest between visual art and acting thinking,modern dancers initiated the artistic expectations of entering museums with their unique bodies.This paper gives a theoretical explanation and practical analysis for the current dance that enters into museum in the perspectives of humanistic concepts,graph-based relationships and daily or non-daily reversals.
作者
夏静
XIA Jing(Nanjing University;Nanjing University of the Arts,Nanjing 210000,China)
出处
《北京舞蹈学院学报》
CSSCI
2019年第3期100-104,共5页
Journal of Beijing Dance Academy
基金
江苏省哲学社会科学研究重点项目“基于视知觉理论的跨界舞蹈审美体系研究”(项目编号:2018SJZDI154)研究成果