摘要
盘王大歌的七任曲存在"主人"、"客人"和"郎"三种角色以及"主人请客"和"郎"的"经历"两条叙事线。七任曲具有实体性和神圣性,语力更为强化,歌曲角色和仪式参与者处于同一空间互动,在师公唱叙及其所推进的仪式中成为行为者,最终实现还愿祈福的目的。
In Qi Ren Qu of Pan Wang Da Ge,three characters – host,guest and lang – and two plots – host receiving guest and the story of lang – exist. More personalized and sanctified,Qi Ren Qu demonstrates greater linguistic power as characters of the song and participants of the ceremony interact in the same space,who become elements to develop the ceremony in the song and narrative of the Shi Gong for the ultimate purpose of praying for happiness.
出处
《楚雄师范学院学报》
2015年第11期57-62,共6页
Journal of Chuxiong Normal University
关键词
盘王大歌
盘王宴席
七任曲
师公
言语行为
Pan Wang Da Ge
feast of Pan Wang
Qi Ren Qu
Shi Gong
speech act