摘要
20世纪中期的女平面设计师阿普里尔·格莱曼,承继视错觉研究成果,吸收沃尔夫冈·魏因加特、阿明·霍夫曼、M.C.埃舍尔、萨尔瓦多·达利一众艺术大师设计风格的基础上,运用麦金托什电脑、摄影、打印机等现代技术所做的混合图像设计,形成了独特的新风格,开启了平面设计的革命性局面,影响至今。文章将运用文献学、作品分析与比较的方法,探讨格莱曼平面设计代表作品的视错觉传达风格,以研究借鉴。
The Optical illusion as a necessity visual phenomenon has complex reasons. In the mid-20th century, with the development of the Macintosh compute, photography, printers and other modern technology of hybrid image design, a female Graphic Designer April Greiman, who absorbs the research of optical illusion on the basis of masters of the art design style, such as Wolfgang Weingart, Amain Hofmann, M. C. Escher and Salvador Dali, formes a unique new style and opens the revolutionary situation of Graphic Design and influences today. It will use Philology, Works analysis and comparative methods to explore her style in order to study for reference.
出处
《设计》
2016年第2期120-121,共2页
Design
