文艺之美与天地之心

The Beauty of Literature and Art and the Heart of Heaven and Earth

中国古典美学论及艺术之美的内在依据时 ,强调艺术美对于自然界的依存与回归 ,以物我合一为最高的境界 ,形成了意境范畴 ;在论及艺术美的主体性时强调情感的真诚自然 ,认为艺术只有进入真诚无伪的情感之门时 ,才能产生撼人的美学魅力。这些美学观念在今天极具启迪意义。

Classical theories of aesthetics in China emphasized the dependence and regression of artistic beauty to nature when elaborating on the artistic beauty, taking as the highest state the integration of nature and humanity which gave rise to the category of literary moods. When touching upon the subjectivity of artistic beauty, they emphasize the sincerity and natural state of emotions, maintaining that art can't only produce its vibrating aesthetic glamour after it enters the gate of genuine and sincere emotions. All these aesthetic ideas are still greatly revealing now.