儿童歌谣顶真修辞的艺术特征及其深层动因

Artistic Features of Anadiplosis Rhetoric and its Deep Motives in Childrens' Ballads

顶真修辞在儿童歌谣中的运用表现出使用频率高、分布密度大、相顶接部分的语言形式主要为表物名词、相顶接的句子之间缺乏必要的逻辑联系等艺术特征。这些特征契合了接受主体低幼儿童"任意逻辑"的思维形式,迎合了接受主体的语言认知能力和文学接受能力,满足了接受主体追求音乐性和游戏性的审美需求,从而使儿童歌谣对低幼儿童产生了强烈的吸引力。

Anadiplosis is frequently used in children＇s ballads. This type of rhetoric is usually applied to object-nouns where sentences with such rhetoric lack logic connections. However, these language features are well received among little infants who have random logics and unique ability in cognition and literature appreciation. Anadiplosis satisfies infants＂ musical and game-playing desire. Therefore, ballads with anadiplosis pull strong interests from little children.