框架理论视阈下的人文历史纪录片研究——以《丝路,重新开始的旅程》为例

The Research of Humanity Documentary in the Frame Theory Perspective——Taking Silk Road,The Journey Goes On as an Example

古老的丝绸之路历经数千年的激荡,不仅为中国人文历史纪录片的崛起、发展提供了丰富的创作素材、多样的空间意象,更以其浓郁的民族风情和地域特质,形成了丝路纪录片独特的美学风格。文章以"框架理论"为基础,纵向梳理丝路形象在中国人文历史纪录片中的流变;并从文本和语境两个方面对核心探讨作品《丝路,重新开始的旅程》进行阐述,探究创作者为重构丝路面貌所采用的艺术手法,为深度挖掘丝路文化艺术资源及丝路文化的国际表达提供相关借鉴。

The ancient silk road has existed for several thousands of years .It offers a rich materials and a vari-ety of space images for the rise and development of Chinese humanity history documentary .What＇ s more, the silk road documentary , relying on the ethnic customs and regional characteristics , has formed unique aesthetic style .On the basis of frame theory , the article vertically combed the changes of silk road images in Chinese humanity history documentary,elaborated the core documentary , Silk Road,the Journey Goes On, and explored the means of expres-sion to restructure the brand -new of the old silk road .The article aimed at providing reference , which may help find the silk road culture sources a little further and show the new image of silk road on the international stage .