摘要
写作者通过观察、采集、阅读、体验获得各种材料,大脑中进行重新组合、融汇和升华,创新出一种新的形象,即刘勰所说:"神用象通",我们从现代西方文艺理论中把这种"神思"翻译为想象。从学理上看中国传统写作理论阐述的更为形象。他在这里诠释了思维与形象的关系,即内心的情思要通过表象形象来展示出来,它让人一看到这个词就理解了它的意思。这正是刘勰所说:精神用物象来沟通,情感千变万化,物象以其形貌来寻求表现,写作主体的心理以内在思理回应生活物象。可见构思中的"神用象通"是形象思维中的高级活动形式,也可以称为审美心理活动。
Through observation,collection,reading and experience,the writer gets various materials. After his or her recombination,integration and sublimation in the brain, the writer creates a new image, just as Liu Xie puts"psychology and object communication," which is called from modern western literary theories "psychological association"and translated into imagination. From the theoretical viewpoint,the traditional Chinese writing theory explains more imaginatively. Here Liu Xie explained the relationship between thinking and images,i. e. the inner emotions and thoughts are displayed through image representations,which reveal the word meaning. This is what Liu Xie says: The spirit communicates with objects which try to present various emotions; the mental state within the writing subject responses to life object with inner thoughts. This can be regarded as aesthetic mental activity.
出处
《湖北第二师范学院学报》
2015年第11期1-7,共7页
Journal of Hubei University of Education
基金
湖北省人文社科研究基地湖北方言文化研究中心研究项目
关键词
神思
沟通桥梁
高级运动
诗性境界
psychological imagination
communicative bridge
senior sports
poetic realm