李煜词在宋元明清的接受

Acception of Li Yu's Ci Poetry in Song,Yuan,Ming and Qing Dynasties

南唐后主李煜的词是词史上的一座丰碑,它一洗花间词浓艳之气,扩大了词的题材,提高了词的境界。他是一位词人,又是亡国之君,其双重身份使得李煜受到历代读者、论者的关注。宋人虽然欣赏李煜词的艺术成就,但更为关注其身份与职责,因此政治伦理评判压制了艺术评判。明人从"本色"、"香艳""崇情"的审美角度来接受李煜词,其词史地位得到了有力的提升。清代对李煜词的接受显得更加丰富多彩,使其艺术成就和词史地位得到了进一步地确立。李煜词的接受显示了对李煜词的批评是随着时间的推移在逐步变化的,也显示了中国古典词学批评理论的发展对其的影响。

Southern Tang Emperor Li Yu’s Ci poetry is a monument in the history,it washed away Huajian Ci poetry’s gaudy style,expanded the range of subjects,and enhanced the realm of Ci poetry. He was both a poet and an emperor who lost his country. Because of his dual identity,readers and commentators through the ages paid much attention to him. Although people in the Song dynasty appreciated his artistic achievements of Ci poetry,they paid more attention to his identity and duty,and thereby their political ethics judgment suppressed their artistic judgment. And yet people in the Ming dynasty accepted Li Yu’s Ci poetry from an aesthetic point of ＂true color,＂＂florid style＂and ＂feeling worship,＂and thus his state in Ci poetry’s history rose greatly. People in the Qing dynasty took more views in accepting Li Yu’s Ci poetry,which further established his artistic achievement and status in Ci poetry’s history. The acception of Li Yu’s Ci poetry proves that the criticism about Li Yu’s Ci poetry changes over time gradually and the development of Chinese classical poetical criticism impacts the acception.