西方重复思想史与德勒兹重复旨归

The Western History of Repetition Thought and Deleuze's Repetition Purport

西方重复思想史,是由同一与差异两类概念逻辑交相辉映、编织而成的。柏拉图的表象哲学肇始的同一律重复,确立了"差异由相似产生"的传统镜像论;克尔凯郭尔、尼采、德勒兹等人则凭借"相似由差异而来"的差异性重复,取消原型与拷贝的二重关系,拆解折射之镜,藉此关照个体生命。德勒兹用时间的三次综合完成了"差异性重复何以可能"的论证,实现了从同一到差异的逻辑转向,确立了差异主体的审美范式。在形而上学"主体之死"的废墟上,思想界以"无主体的主体"的美学面向,完成对生命主体的重建。这是对此前主体性思想的完善和超越,对"人之主体"的整体守护,从而创生出当代异质主体的思想图像。

The Western thought history of repetition is composed of the combination of the two kinds of the conception of logic,that is,identity and difference. The identity repetition from the philosophy of Plato＇s representation established ＂difference from similarity＂;whereas some scholars such as Kierkegaard,Nietzsche,Deleuze,etc. hold the view of repetition of difference- ＂similarity from difference＂,thus canceling the dual relation between the model and the copy,dismantling the reflective mirror,and taking care of the individual life. By three synthesis of time,Deleuze completed arguments of ＂How repetition of difference could be＂,realized the philosophy turning from identity to difference,and established the aesthetic paradigm of difference. From the ruins of metaphysics of ＂the death of subject＂,the academic circles completed the reconstruction of the subject with the ＂Subjectless Subjectivities＂ aesthetics attitude. It is perfection to and surpass over the former subjectivity,a wholesome guarding against ＂human as a subject＂,thus creating the image of thought in the contemporary time.