摘要
群雕《拉奥孔》是古希腊雕塑艺术——希腊化时期末期的作品,它在主题表现和雕刻手法上都不同于古风、古典时期的作品。群雕以拉奥孔父子3人的厄运和抗争为主题,在雕刻手法上表现出了强烈写实倾向,这也构成了群雕独特的"和谐"模式。对优美和静穆的审美理想的放弃,是《拉奥孔》群雕对古希腊雕塑传统的背叛。然而,其对雕塑素材本身的忠实,却暗示了一个新的雕刻艺术时代的降临。
Laocoon group appeared in the final period of Hellenization.It differs itself in the theme and skill from the Archaic and the classic period.This sculpture group described the adversity and struggle of Laocoon--the father and his three sons.It demonstrated a unique kind of harmony through the realistic depiction.Discarding the gracefulness and stillness leads the betrayal to the classic aesthetic principle,whereas its faithfulness to the story curtains a new era of sculpture art.
出处
《岭南师范学院学报》
2015年第5期70-73,共4页
Journal of Lingnan Normal University
关键词
雕刻艺术
古希腊雕塑
《拉奥孔》
sculpture art
ancient Greek sculpture
Laocoon Group