《西狭颂》《郙阁颂》比较研究

A Comparative Study of Ode to Xi Xia and Ode to Fu Ge

篆隶发展对于汉字与书法艺术的发展影响深远。汉代在书法史上极为重要,是古今字体的分水岭,是书法艺术楷、行、篆、隶、草五体分化的时代,大量存世的碑刻、摩崖、简牍、丝帛等,为整理与深入研究书法提供了实物资料,也是认识汉字与书法艺术内在关系的前提条件,为书法艺术的发展提供了科学依据。《西狭颂》、《郙阁颂》产生于东汉,二者的异同,客观反映了篆隶的继承关系:篆隶混杂、构成部件变异,笔法笔画互用方圆、浑厚古朴,比较认识"隶变"进程中汉字与书法艺术发生发展的细节。

The development of seal character produces a far-reaching influence on Chinese character and calligraphy. The Han Dynasty, an important dynasty in the history of calligraphy, is a watershed of ancient and present calligraphy as well as the times when the cal- ligraphic art split into five branches. The calligraphic relics extant like tablet inscriptions, letters, silk words, etc. provide materials for sorting out and looking at calligraphy, a prerequisite for knowing the inner relationship between character and calligraphic art, providing some evidences for developing calligraphic art. Ode to Xi Xia and Ode to Fu Ge were produced in Han Dynasty, and their discrepancies reflect the successive relationship between seal character and official script, which is featured by confusion and variety between the two kinds of handwriting as well as mutual borrowing.