摘要
17、18世纪欧洲出现空前的"中国热"现象,瓷器、漆器、玻璃、室内、园林与建筑等诸多领域都有"中国风"的痕迹。"中国风"建筑出现得相对较晚,而且更多的是伴随中国园林的介绍而进入西方世界,所以形式上以塔和亭台楼阁为主。在"中国风"建筑向西方的传播过程中,商人和传教士的书面报告、中国的绘画和工艺品、研究性文献、建筑样册、建成的"中国风"建筑,成为重要的传播途径。
The phenomenon of "China Craze" appeared unprecedentedly in Europe from eventeenth to eighteenth century. "Chinoiserie" existed in many fields, including porcelain, lacquer, glass, interior, garden and architecture and so on. "Chinoiserie" architecture appeared late relatively, and entered into the Western world accompanying by the introduction of Chinese gardens. So the main forms are pagodas and pavilions. In the process of "Chinoiserie" architecture spread to the west, the written reports by businessmen and missionaries, Chinese paintings and crafts, research literatures, architecture picture book, the completed samples of "Chinoiserie" architecture are the important ways of spread.
出处
《建筑与文化》
2015年第12期84-86,共3页
Architecture & Culture
基金
国家社科基金艺术学项目"西方现代设计中的中国元素"(立项批准号10BF056)
关键词
中国风
建筑
传播
Chinoiserie
architecture
spread