摘要
当代工笔画正在崛起,且以半壁江山之势引人关注。但当代工笔画也存在众多的问题,一个最大的问题就是脱离中国的意象绘画体系。学界有把写意当成疗救工笔画的途径者,却忽略工笔和写意均属同一意象绘画体系而又各具特点的事实。本文详述了工笔与写意在古代绘画史中的关系,且以大量古代工笔画经典为例,分析了传统工笔画的五大意象特征,指出了当代工笔画回归中国意象系统的重要性。
Modern Meticulous-style painting is rising with noticeable attention. However, problems exist in such kind of painting as it deviates from the Chinese Imago Painting System. People, who embrace free sketch as a way to improve the meticulous-style painting, ignore the fact that both meticulous-style and freesketch paintings, though with different characteristics inherently, belong to the same imago painting system. In the current paper, the relationships are discussed in details between meticulous-style and free-sketch paintings in the history of ancient painting. By analyzing large amounts of classical ancient meticulous-style painting, attention is also paid to five main imago characteristics of traditional meticulous-style of painting, with importance attached that modern meticulousstyle painting agrees with Chinese Imago System.
出处
《建筑与文化》
2015年第5期216-218,共3页
Architecture & Culture
关键词
工笔画
写意
意象
Meticulous-Style Painting
free-sketch painting
Imago
