摘要
蒲松龄所谓的"孤愤",其实只是指怀才不遇。他在潦倒落拓的大半生之中费尽心血创作的《聊斋志异》,集中展示了自己的才华,同时也从反面显露了自己的"孤愤"。从内容上去阐释他的"孤愤",虽然不是他的本意,但也符合文学文本的多义性。
Pu Song-ling's so-called deep indignation unrecognized means nothing but his genius unrecognized. Strange Stories from a Chinese Studio by Pu Song-ling intensely represents his talents and at the same time his deep indignation of his genius unrecognized on the flip side. Although not his original intention,the exploration for the book from its' contents such as imperial examinations,officialdom and the ways of the world, still accords to the theory of amguity of a text.
出处
《蒲松龄研究》
2015年第3期5-12,共8页
Study on Pu Songling
关键词
蒲松龄
孤愤
怀才不遇
本意
Pu Songling
deep indignation unrecognized
genius unrecognized
original intention