摘要
文章回顾了我国民族唱法三类人才培养模式,并对三类唱法的人才培养模式成效及基本特色进行分析后发现,当前我国民族唱法专业教学因为偏重吸收美声唱法技巧,致使人才培养模式趋于单一化。民族唱法教学的发展,不仅要借鉴美声唱法,更要突出吸收中国戏曲唱法、曲艺唱法、传统民歌唱法和众多少数民族民歌唱法的精髓,从而培养出符合当代中国人审美传统的民族特色鲜明的歌唱人才。
The article looked back the three modes of training singer of Chinese folk singing method. After analyzing the effect and the basic features of three types of training singing methods, the writer found that the teaching of Chinese folk singing emphasis on absorption the techniques of Bel Canto, which resulting in personnel training mode tends to be single of. The development of Chinese folk singing teaching, not only to learn from the method of Bel Canto, but also need more to highlight absorb the essence of the Chinese singing ways such as Chinese opera, Quyi, Chinese traditional folksongs, and numerous ethnic minorities folk songs, thereby cultivate the singers with distinctive Chinese national features that meets the contemporary Chinese aesthetic tradition.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2015年第3期144-150,69,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
民族唱法
人才培养模式
回顾
反思
Chinese folk singing method, talents training mode, look back, rethink