中国现代舞与现代中国舞——新时期中国“新舞蹈”运演的阅读笔记(丁编)

Chinese Modern Dance and Modern Chinese Dance: Report after Reading Materials of the Advancement of the New Dance in New Period in China(Ⅳ)

文章分析了王玫的《我们看见了河岸》及其《雷和雨》,"红星"赵明,"红梅"杨威与"红云"陈惠芬,"夫妻档"李捍忠、马波的"舞蹈生活"和"生活舞蹈",认为现代舞是创作的、进行时态的舞蹈,现代舞兼收"戏曲物什"并蓄"水墨意象"。邢亮的《尼金斯基》与金星的《海上探戈》,苏童的《妻妾成群》,上芭的《花样年华》与广芭的《风雪夜归人》等都是值得我们关注的经典作品。文章还论述了苏时进开掘"地域精神"中的"现代性",诠释了王玫《洛神赋》的苟活于杨丽萍《孔雀》的本真,万素的"打破程式"与王媛媛的"抓住痛苦",肖苏华的"间离",聚焦了佟睿睿与王舸的"现代中国舞"和闲舞人、歆舞届与亚彬的"朋友们"以及中芭"创意工作坊"的"现代性"追求。文章提出"雷动天下"和"雷同天下"问题,提出我们对沈伟、林怀民要有"平常心",而且,"舞动无界"我们须让现代舞成为"现在的舞"。

In this paper, I firstly introduce Wang Mei~ ＂ We See Riverside＂ and ＂Thunder and Rain＂, red star Zhao Ming, Red plum Yang Wei, and red cloud Chen Huuifen, and couple partner Li Hanzhong and Ma Bo~ dancing life and living in dance. In my opinion, modern dance is a creative dance that is always in a progressive change. Modern dance absorbs factors of traditional Chinese opera and imageries in ink painting. Then readers are attracted by Xing Liang~ ＂ Nijinsky＂ and Jin Xing ＂Tango on the Sea＂ , Su Tong~ ＂Wives and Concubines＂ , ＂ Blossom Age＂ created by Shanghai Ballet Troupe and ＂ Returned People On A Snow Night＂ created by Guangzhou Ballet Troupe. Then, we know that Su Shijin endeavored to dig out modernity from regional spirit, an ignoble existence described in Wang Mei ＂ Luo Shen Fu＂ , truth in Yang Liping~ ＂ Peacock＂ , Wan Su＇s breaking the formular, and Wang Yuanyuan;s catching pain, and Xiao Suhua＇s alienation. This paper also focuses Tong Ruirui and Wang Ge＇s modern Chinese dance and leisure dancer and Xin Dancing circle and Yan Bin＇s friends, and the modern pursuit of Creative Workshop established by Central Ballet Troupe. The paper proposes that all dances have no boundaries, and we must let modem dance become present dance.