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关于当下我国电影活动生态问题的几点思考

Thinking over the Ecology Problem of Contemporary Chinese Film Activities
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摘要 票房意义上的现象级国产影片的出现固然令人欣慰,但这并不意味着我国已由电影大国进入电影强国了。票房业绩的背后其实还潜伏着许多制约电影艺术常态发展的因素,从电影生态链来看,主要包括:创作生产生态中唯利是图、原创不足等现象;摄制许可和公映许可等监管中宽严失据(或把关不严)现象;观影消费生态中因主体价值观处于转型嬗变时期而出现回避主流现实、解构崇高乃至娱乐至死等现象。这些现象不仅侵蚀着当下中国电影活动的正常生态,也严重影响我国电影生产由"高原"迈向"高峰"的步伐。 It is certainly delightful that there appear phenomenal films in the sense of box office. However, this does not mean that China has become a powerful film nation, since there are many factors lying dormant behind box office restricting the normal development of film. Viewed from film ecological chain, such phenomena including insufficient originality, non - strict supervision of production permission, and some film watching consumption ecology such as withdrawal from mainstream reality, deconstructing sublime, and entertainment to death not only erode the normal ecology of contemporary Chinese film activities, but also seriously impact our national film advancement.
作者 汪振城
出处 《艺术百家》 CSSCI 北大核心 2015年第6期94-97,共4页 Hundred Schools In Arts
关键词 电影艺术 影视创作 现象级电影 电影生态链 电影新常态 电影生产 Phenomenal Film Film Ecology Chain New Ordinary State of Film
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参考文献3

  • 1张立潮.打造对外传播的“亲近性文本”[N].中国社会科学报,2015-07-02,(03).
  • 2赵保华.国产电影票房屡破记录的喜与忧[N].光明日报,2015-08-24.
  • 3中共中央政治局.关于繁荣发展社会主义文艺的意见[N].人民日报,2015-09-12.

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