汉传佛经中的“琉璃琴”初探——兼以云冈石窟第六窟“耶输陀罗入梦图”为例

A Preliminary Exploration of Colored Glaze Qin Depicted in Han Buddhist Texts

佛教自东汉时期传入中国以后,汉传佛经的译述流行,其中有关于"琉璃琴"的记载,前人多以为佛教经文中的"琉璃琴"即是古印度的维那(vīnā),同时,在丝绸之路上的佛教洞窟所见的凤首箜篌,也是得自古印度维那的传承。文章结合古印度佛教洞窟遗址图像,对照古印度维那及丝绸之路的佛教洞窟中的凤首箜篌来加以考察,并以云冈石窟第六窟的"耶输陀罗入梦图"为例,重新省思汉传佛经中"琉璃琴"与维那、凤首箜篌之间的关系。

After the introduction of Buddhism, the translation and interpretation of Buddhist texts was very popular. And colored blaze Qin listed in the texts was deemed as the vina in ancient India. And, phonix - head Konghou found in Buddhism caves on silk road was also derived from vina in ancient India. In this paper, based upon the photogra- phy of Buddhism caves in ancient India, and compared to vina in ancient India and phonix - head Konghou, I re - retrospect the relation among colored blaze Qin listed in Buddhism texts and vina and phonix- head Konghou.