摘要
汉语音乐性是中国古典诗歌体式演变的基础。词体在近体诗基础上诞生,正是在汉语音乐性基础上,语言诗化与散文化之间的矛盾,诗歌节奏稳定性与诗意表达自由性之间的矛盾,和中唐后去律趋散文体革新的时代要求,这三股力量共同作用的结果。
In the evolution of the classical Chinese poetic style,the musicality of the Chinese language is the very basis,for the Ci genre came into existence based on modern style poetry. And just based on the musicality of the Chinese language can the contradiction between poetic language and prosaic language,between the stability of poetic rhythm and the freedom of poetic expression as well as the epochal request for the stylistic innovation from rhythmical prose style to prose style free from parallelism after the mid-Tang Dynasty be resolved—a result of the interaction of the abovementioned three factors.
出处
《海南师范大学学报(社会科学版)》
2015年第12期128-132,共5页
Journal of Hainan Normal University(Social Sciences)
基金
海南省高等学校科学研究项目"宋词节律研究--以东坡词为例"(项目编号:Hjsk2012-39)
关键词
唐宋词
诗体演变
汉语音乐性
诗化
散文化
Ci in Tang and Song dynasties
the evolution of the poetic style
the musicality of Chinese language
poetization
prosification