中国古代戏剧服饰之美与观众

The Beauty of Chinese Ancient Drama Costume and the Spectator

中国传统的戏剧观念是以观众为中心的,这也就造就了我国戏剧的创作、搬演都会以观众为重的局面。观众视觉上的要求导致戏剧服饰逐渐趋向唯美,观众的包容为戏剧服饰"以形写神"提供合理性。而当戏剧服饰经历了历史的洗礼、剧作家和演员的双重创作,成为了来源于生活却高于生活的艺术品,它也就具备了可舞性、程式性、符号性、装饰性等一系列特性,这些特性产生功能,不仅吸引观众,还能使得观众尽快入戏,更好地感受戏剧之美。

Traditionally,Chinese theatrical concept is spectator- centered,just as the creation and performance of Chinese drama. Theatrical costume increasingly inclines towards aestheticism because of the visual needs of spectator,whose tolerance makes it reasonable for drama to express its main idea through its costume. With a long history,the theatrical costume recreated by dramatists and performers has become the art that comes from life but higher than life.At the same time,it has also a series of symbolic,decorative,regular and choreographic characteristics,which can not only attract spectators,but also concentrate their attention on the drama to make it more enjoyable.