朱生豪《哈姆雷特》的审美再现研究

On Aesthetic Representation of Hamlet by Zhu Shenghao

朱生豪以其深厚的语言功底和文化修养成就了翻译莎剧的豪举,为莎剧在中国的传播做出了杰出的贡献。国内学者对其译作研究颇丰,然而对其译本独特的美学特质却少有关注。从美学视角,以刘宓庆翻译美学理论为理论支撑,选取朱生豪经典译作《哈姆雷特》为研究对象,从语音、词语和句子三个层面系统探究朱生豪对原文的审美再现,从而补充其以形式美再现神韵的文学审美研究。

Zhu Shenghao, with his profound language skills and cultural achievement, devotes his whole life to the translation of Shakespeare＇ s plays, making outstanding contributions to the dissemination of Shakespeare in China. In accordance, continuous researches on his translation of Shakespeare＇ s works have yielded fruitful findings. However, the aesthetic value of his translations has been long neglected. Therefore, This paper, with Liu Miqing＇ s translation aesthetics as its theoretical framework and Zhu Shenghao＇ s Hamlet as its research object, intends to expound Zhu＇ s aesthetic representation of the original text from phonetics, lexis, and syntax. So it can make up for the blank of literary aesthetic research in translation studies with the aesthetics-oriented analysis on Zhu＇ s Hamlet, using the formal beauty to restore the original flavor.