摘要
《狼图腾》原著倾注了作者多方面的思考,为让-雅克·阿诺导演电影提供相对自由的发挥空间,从而电影凸显对人、技术与自然关系的探讨。在电影中,机械的技术观和自然观推崇自然规律和先进技术,而解构了朴素的技术观和自然观,但强制性解构和建构的梦想无法实现,导致悲剧性的结局。人与动物、人与自然和谐相处的实现,必须置于社会状况的考察与历史视野的审视之中。
The original work of "Wolf Totem" was devoted various thinking by the author. Jean-Jacques Annaud's direction could get relatively free space from them and highlight his discussion of the relationship between human, technology and nature. In the movie, the mechanical view of technology and nature venerated the nature of the law and advanced technology, and deconstructed the simple view of technology and nature. The mandatory dream of deconstruction and construction couldn't come true which leaded to the tragic ending. The harmonious coexistence of human and animal, human and nature must be placed in the social situation investigation and historical perspective.
出处
《三明学院学报》
2016年第1期96-100,共5页
Journal of Sanming University
关键词
《狼图腾》
电影
叙事隐喻
技术观
自然观
技术理性
人文主义
Wolf Totem
movie
narrative metaphor
view of technology
view of nature
technological rationality
hu manism