摘要
死亡的厄运总是降临在维昂作品中的人物身上,这不仅与作者自身的疾患有关,更是他所经历的战争年代所造成的。显然,其作品中人物死亡现象背后隐含着作者对战争的憎恶以及对现实的失望和愤慨。人的死亡意味着生命的终结,然而,受弗洛伊德和啪嗒学的影响,维昂作品中的人物死亡似乎预示着新生命的开始。
Characters portrayed in Boris Vian's writing are not able to escape from death,which is closely associated with Vian's health problem and his experience of wartime as well.This paper investigates the phenomena of death,with the hope of bringing insights into Vian's abhorrence of war and disappointment at reality.Influenced by Freud's theory and Pataphysique,death in Vian's writing indicates a brand new start rather than the end of life.Discussions on this issue contribute to a better understanding of the social significance underlying his work.
出处
《南京航空航天大学学报(社会科学版)》
2015年第4期54-57,共4页
Journal of Nanjing University of Aeronautics & Astronautics(Social Sciences)