从天地大德到天地大美——《周易》“元亨利贞”的生态美学价值

The Ecological Aesthetic Implication Embodied in“Yuan Heng Li Zhen”of Zhou Yi

乾阳坤阴,天地之道。不论作为原初的卦辞,还是作为融入儒家伦理之后的一种"德义观","元亨利贞"都需要对人与天地万物的关系作出阐释。"元亨利贞"是《周易》对天人关系的哲学思考,亦是《周易》处理天人关系的重要法则。"元亨利贞"是天地本元之德,是天地交感之性,同时也是天地人"三才"共存之道。在生态美学视域下,"元亨利贞"的生态审美意蕴主要表现为化生之美、和生之美以及整生之美。

Qian （yang） and Kun （Yin） is the natural existence of heaven and earth. Whether as a primitive divination, or as a kind of morality blended in Confucian ethics, ＂Yuan Heng Li Zhen＂ needed to explain the relationship between human and the uni- verse. ＂Yuan Heng Li zhen＂ of Zbou Yi is the philosophical thinking about the relationship between human and nature and also the important principle of handling the relationship between human and nature. ＂Yuan Heng Li zhen＂ is the natural virtue of heaven and earth, the attribute of interaction between heaven and human and also the coexistence way of heaven, earth and human. From the perspective of ecological aesthetics, the ecological aesthetic implication of ＂Yuan Heng Li Zhen＂ is mainly embodied as the beauty of transformation, commensalism and integration.