论鲁迅杂文的后现代风格

Analysis of the Postmodern Style of Lu Xun's Essays

本文运用苏珊·桑塔格关于罗兰·巴特现代主义的经典论述与鲁迅的写作相类比,解析鲁迅杂文的后现代风格。鲁迅本人不是后现代主义者,但从内容到形式的后现代主义元素的显现,尤其在他晚期杂文中表现出来的横空出世的创造力--文体的自由紧凑、语言的张力、思想公开、个性化细节,与那种"异常绝望虚空的况味",一以贯之地出现在他不同时期的文字中,隐隐散发着一种高贵的消极美。所有这些后来被视为后现代写作的特质,已然深入浅出地体现在鲁迅杂文之中。

Based on Susan Sontag＇s view on the postmodern category of Bart, the paper is about Lu Xun＇s postmodem style. Though he was not a postmodernist, Lu Xun was noted for postmodern features in his contents and forms which gave his essays a touch of noble but negative beauty. Lu Xun distinguishes himself from other authors of his time by his stylistic choice, rhetoric strategy, individualized details in his works and especially the ＂status of extreme despair and void＂. These features, which were later re- garded as the earmarks of postmodernism, have long existed in his essays.