宋濂文艺思想考论

Research on Song Lian's Literary and Artistic Thoughts

宋濂的文学思想以原道、宗经、复古为主,这一方面是因为朱元璋重实用、尚平实的文化政策,另一方面则与宋濂所受金华学派重经史、助教化的文章观有关。其文学思想体现在书画评论上,则表现为"助政教""翼彝伦"的文艺功用观。宋濂借用前人"书画一体"的理论观点,同时又从书史同源、画经同体、"明体达用"等角度具体地阐述了他的文艺思想,对明代前中期的文艺创作和批评实践产生了比较深刻的影响。

Song Lian took Yuan-dao, Zong-jing and restoring ancient ways as his main literary thoughts for two reasons： one was Zhu Yuanzhangpractical and simple cultural policy, and the other was that Song Lian was influenced by Jin-Hua School who insisted that literature must be based on Confucian classics and tool moralization as its orientation. Song Lianb painting and calligraphy criticism which took moralization and practicality as the main feature was decided by his literary thoughts. Song Lian borrowed previous statement that painting and calligraphy origi- nated from the same source. And he thought that calligraphy and history had the same origin, that painting and Confucian classics also had the same origin, and that intellectual must take ＂ Ming-Ti-Da-Yong＂ as the guiding ideology. The literary thoughts of Song Lian had a more profound impact on literary creation and criticism in the early and middle Ming Dynasty.