别具只眼看萧梁——读田晓菲《烽火与流星》

Original View on Xiao Liang Dynasty:Feelings to TIAN Xiao-fei's Flames and Meteor

在中国历史特别是文学史上,萧梁王朝的文化长期受到贬斥,宫体诗被视为亡国之音,其代表人物萧纲则无异于亡国的罪人,当时硕果仅存的诗集《玉台新咏》也因被视为宫体诗的代表作品而受到轻视和误读。田晓菲以其独到的研究得出了颠覆性的结论,她的《烽火与流星》一书从社会文化的广阔语境为我们描述出一个与传统观点迥然不同的萧梁王朝,对宫体诗、萧纲和《玉台新咏》也给出了崭新的评价。此外,对关于所谓的文坛"三派对立"、边塞诗的产生、采莲诗的背景等,也都给出了全新的解释。认真阅读本书,可以得到多方面的启示。

In Chinese history, especially in the history of literature,Xiao Liang Dynasty＇s culture has long been disgraced,palace style poetry is regarded as the tune of perished country.Xiao Gang,the representative,is no doubt the sinner for the perished country.Yu Tai Xin Yong,his last remaining poetry,has also been despised and misread,because it is regarded as the representative of the palace style poetry.TIAN Xiao-fei gives the subversive conclusion from her original research.Her Flames and Meteor describes a totally different Xiao Liang Dynasty from the traditional views in the broad context in social culture,she also gives a new evaluation for the palace poetry,Xiao Gang and Yu Tai Xin Yong.In addition,she gives new interpretations of the so-called ＂three-opposite factions＂ in literary world,the generation of frontier-style poetry,the background of lotus-picking poetry and so on.Seriously reading this book,you can get many inspirations.